danish producer martinez rarely fails to surprise club music lovers with his versatile views on techno and house. his very special enthusiasm enables him to seize new musical territory with every release. with his debut record on cadenza, his house sound develops another depth, a more general view of the ever evolving tension between life and music. the mzuzu ep is all about bass. the bass is all around, the bass gushes into every corner of the club, it pervades concrete and iron. while the low frequencies deal ruthlessly with architecture, they are kind to us humans. the basslines put the dancers in a conforting state of hypnosis which might be an unconscious reminder of the long gone time when one still rested in ones mothers womb. it arouses the memory of a state when one is completely merged with the surroundings. martinez reorganises the structure of house music: the lashing grooves cease to be the center of the tracks. martinez moves the heartbeat of the music from the beats to the bass. its firmness releases the other elements of the tracks, creating a free-spirited feeling. freed from their regular task the grooves are enabled to be rough and open. instead of trying to control the crowd, they ravish us with their liberating energy. the tracks rarely need anything else. the icing on the cake consists in tiny vocal samples. creating an irritating athmosphere, they put us in a state of constant curiosity. disolving completely into the flow of the tracks, the human voices become pure sound. >mzuzu chant< & >adagio< are for the beautiful moments when the dancing crowd detaches itself from time and space

besides the original we exhibit remixes from mr. statik (bpitch control) and our homie felizol (persona).

one would be curious as to what a track such as this one would sound like. images and visuals floating through your head as you press play, the airy, angelic pad intro induces you into a trance-like state before soothing piano lines and a pitched-up vocal reminiscent of the early hardcore era takes you away. as the drums come in with a half-time feel, it is easy to imagine japanese taiko drummers playing their part. once the break takes hold, a short span of melodic heaven uplifts before the drums take control again.

the second volume follows the story with the same phylosophy of the first one. different visions between techno, electronica/idm and electro. tracks generated by ideograma, arcanoid and miguel mendoza but now we introduce a new tesla agent: shadow runner. hes here to provide a dark and deep powerfull techno track.vintage electronics, future classic tracks, the ancient methods for the world of tomorrow, the tesla agents are here to control the voice of the energy. video: http://vimeo.com/17881668

clear vinyl pressing of this limited to 99 copies automatik-datamatik release by adalberto.
...we wanna jack...on this acid track...
...just for the flow...without control...

dj roc, known to his mother as clarence johnson, was born and raised on the southside of chicago better known as the low end. the crack in >crack capone< refers to his style of production. like an underground chemist, dj roc produces variant strains of chicago juke music, the crack referring to the synapse snapping, potentially ankle cracking manipulation of rhythms and the sampling, hijacking and ultra-rhythmic micro-editing of black american pops dominant forms into a style thats been developed and tested on the streets of chicago.

already huge supports by : laurent garnier, chloé, anthony collins, troy pierce, electric rescue, silicone soul, kolombo, frank kusserow, remain, apm001 ... in control on the fourth family n.a.m.e release, we have one of the founding members of the parisian crew get the curse, clément meyer took place on the electronic scene with dj sets that are as unstoppable as they are personnal. piece by piece chrystalises his passion for moist, misty and definitely techno atmospheres... simply inescapable these last two years, maetrik, the american producer exiled in spain forced upon us a style that is his own. a metallic, robotic and terribly dancefloor techno. a unique sound from which he pulls out the best during his firery lives. after signing the third family n.a.m.e released, the trio elagua are back. addressing piece by piece, they relieve a progressive remix

patterns presents the next big release! spiros kaloumenos has made an impression with his wicked releases in the last year on labels like yin yang, soul access, dolls, special series and his own analogmode and focus.
spiros latest release called >play this game< on number 51 was a big succes and 10 releases down the line for patterns its time for the return of the master from greece! thundering bass kicks and infectious basslines will make the crowd go crazy!

here it is, the third release on the snuff crew label snuff trax! on snuff trax 003 you find winter in june. you might already know this track from the snuff crew livesets. winter in june is maybe the most melodic snuff trax release so far. this floating music is not only for the body - it s also something for the heart. on the b-side, dance disorder, who release on labels like bpitch control, deliver a fantastic and very epic remix. this mix was also already played by snuff crew in their set for tim sweeneys beats in space show. stx 003 is limited to 250 hand-numbered vinyls.

the ep reminds us why we love techno so much, fans of mills, hood, dehnert and dettmann will adore. a perfect cross over between detroit and berlin signature sound.!! the title track hits us with a heavy metallic stab which quickly lock us into the groove as the underlying bass tones start to twist and turn our bodies without self control into a must have dancefloor friendsy an essential chord-driven deep techno cut, keeping it minimal yet packed full of funk.

it’s with a lot of excitement that archipel’s boss himself releases a vinyl extract of his album’s favorite tracks. while the album which consist of 2 cds, we thought some of the works would fit well in the hands of collectors who would push the tunes in their quirky sets. the opening track, titled “big trouble in little cave” is one that could haunt a techno party in berlin where in the breakdown, things just go out of control and while you think you can’t take anymore, the music takes you back to earth. tests have proven to be used with care, reports indicate some people reacted with a lot of noise. “dérape totale” is perhaps a cross of four tet releasing on raster noton. awkward combo indeed but the strange structure on top of weirdly arranged percussion is set to catch your attention and draw you into an inner journey. with the chance of having manchester’s dncn join him for vocals, pheek goes with his first interpretation of what a pheekie-pop tune could be: fun, intriguing and catchy! >follow the flow< is the closing track and is one build tension with surprising exploding percussion clashes on top of melodic waves.

another anonymous high priest of the secret new house world order, an organisation rumored to clandestinely control and reign supreme dancefloors worldwide, steps up on their story (secret order rocks you) label with 3 captivating basic, raw yet deep tracks in the best chicago tradition - a style that over the years proofed itself rather useful for total mind and body dominance.

real support and plays by: adam beyer, christian smith, pan-pot, joseph capriati, secret cinema, dave seman, slam, 2000 and one, mihalis safras, karotte, layo & bushwacka, carlo lio, misstress barbara, alan fitzpatrick, .. although dusty kid and his friend emmanuele marascia are based on the beautiful and quiet island sardinia they have recently put out a couple of raw and punchy techno anthems on imprints like b:pitch control, boxer and of course systematic. where dusty kid is temporarely leaving this path, impressively rediscovering the spirit of real rooted house rhythms, marascia walks the techno path much more consequently and delivers a compromiseless piece of techno tones which smashes your brain through a wall of stones! watch your speakers!

first part of nwis ep, celebrating the amsterdam dance event.

nice price package, contains 200 records 001 & 200 records 010 plus downloadcode.

maarten van der vleuten iss an old school dutch techno producer known for releases on r&s, tz, djax, signum etc. nice to see him back on vinyl with >lost control<, which is an electro version of joy divisions >she s lost control<. and some other cool tracks he did in the last year. cool electronix with some techno influences... somehow even reminds of some aphex twin worx. limited to 300 handnumbered copies with a cover that is silkscreen printed, colour print on the inside and free download code.... nice package!

rave in style. well, ’der mond ist unsere sonne’, as some use to say.even the moon can’t sleep when the bass and the treble are out of control. each design strictly limited to 100 copies!!! quality: 100% cotton - 170 - 175 g / m2 - single jersey, preshrunk

rave in style. well, ’der mond ist unsere sonne’, as some use to say.even the moon can’t sleep when the bass and the treble are out of control. each design strictly limited to 100 copies!!! quality: 100% cotton - 170 - 175 g / m2 - single jersey, preshrunk

big twelve from us label slant featuring glasgow s edit select and alex smoke. label owner let s go outside supplies the b-side.slant s fourth 12 yields two mighty pieces of techno. one side is let s go outside s epic valentino , the other is the absolutely wicked the retainer from edit select and alex smoke. all the criteria for a classic split are met and well exceeded here.the pairing of edit select and alex smoke is simply brilliant. the a side s the retainer is crowd control. alex s signature vocal cut ups and chugging percussion layered atop edit select s hypnotic, repetitive style make for a true techno masterpiece.on the aa side, let s go outside throws down a deep, seductive, tough cut with valentino . airy pads float atop pulsing bass and a subtle, driving orchestra of percussion and static. the entire piece slowly ebbs before crashing down, repeating, the pace deliberate and guided by soft words about first loves.

classic jack from nordic trax

back after a well deserved holiday the planet rhythm comes hard with another slammer. driving techno from start to finish by luky r.d.u on the a1. the next track by a.paul is a wicked rhythmic workout from another planet. exium last but not least takes control of the flip with two massive techno workouts! heavy bass and crazy drums in the style of their latest music masterpieces on pole and warm up. this is quality techno!

here it is! the much-awaited debut artist album for subliminal containing some of harry romeros biggest smashes (i go back with robert owens and corruption) and plenty of smoking new jams. funky uptempo house, wicked acid-driven electronic house and plenty of cool vocals all over this three-disc, 12-track collection. this is one quality package that is sure to please.

excellent deep / funky chicago house calssic... ltd copies

finally, the live virtuoso olene kadar is back again with release #4 on his homebase mos ferry! not only the really massive kick makes the a-side >deal< a true stomper, that might put a smile on every detroit fans face also a guy called gerald would be thrilled! kadar uses common sounds and styles to stack his own unconventional sound-building - his own >house<. driving is probably the adjective that can express most accurately what constitutes the eight and a half minutes track with its funky organ chords. the b-side >sot:2< contains an equally virtuoso ass-shaker. somewhere between industrial aesthetics of the reverberated snare and the indefinable squawking sound its elements combine into a multi-dimensional piece of >club therapy< full of extremes. the unity of groovy kick and bass constitutes a high contrast to the vast extending percussion that moves at times in dramatic and absurd dimensions. approaching the drop, the almost out of control snare rolls and percussion drown any crowd in their own sweat dripping from the ceiling.

hear all the music: in comfort and style headphones that could reproduce the true dynamics of today’s music were a rarity—until the legendary beats™ studio™ hit the scene. now, a new headphone in the beats tradition, beats solo.™ brings you amazing sound in a smaller, lighter on-ear design. with beats solo, you’ll hear every sonic detail the musicians and recording engineers laid down in the studio. deep bass. hard hitting drums. bold midrange. and clean, undistorted highs. all in a comfortable fit you can wear for hours.perfect while on the move solos are compact and incredibly lightweight and ready for your active lifestyle, gym work out, or frequent travel. the tri-fold design allows solos to fit into the included compact carrying case. with beats solos getting a great music experience has never been easier.controltalk: the ultimate in ipod control and hands free calling with the built-in controltalk remote on the beats solo™ headphone cable, you get on-cable control of your music, as well as easy, high quality hands-free calling. you’ll enjoy quick-access music playback control, like volume, play/pause and tracking, without having to dig for your ipod. plus, the high-grade mic and high-resolution, sound-isolating headphones all combine to let you hear and be heard much more clearly—and conveniently—than you ever could with the phone to your ear.a natural fit with solos, you feel the music, not the headphones. plush, on-ear cushions comfort your ears and form an acoustic seal that keeps the sound in and noise out. remote and mic supported by ipod® nano (4th/5th gen), classic (120gb), touch (2nd gen), iphone 3gs and newer, but not all blackberry. remote supported by ipod shuffle (3rd gen). requires software v. 1.0.3 for ipod nano (4th/5th gen), 2.0.1 for classic (120gb), and 2.2 or later for touch (2nd gen). support for blackberry varies by model.

lunar disko records returns with its 6th release from promising irish producer, automatic tasty (at). at delivers five fantastic analogue trax with strong house, acid and electro influences, crafted with precision and aptitude somewhere beneath the wicklow mountains. the acid jam >i ve missed the last bus home< opens up the ep, ats trademark basslines, warm melodies and pads command this track, while >i can see your house from here< continues on with with more 707 percussion, mesmeric melodies, voice samples and a bassline unveiling another automatic tasty gem! >an cnoc rua< introduces us to a b-side with more acid, and electro soundscapes. a slow-burning acid track, including more fascinating melodies under the control of a mysterious eerie lead... >to the moon and back< warms you up again with more delightful melodies and captivating pads transported in true automatic tasty style. concluding this debut ep is the outstanding >autonomous system< the 606 & 101 combine to brilliant force before an arpeggiated bassline takes over alongside more lush synth melodies.

3rd album by roman fischer, including mp3 download code for the whole release.

matt green brings along some fellow artists for this release in the form of tripped & koney. tripped & matt green get down to some serious beats together for their track nitm. while koney takes on the task or remixing matt greens track childhood trauma. back up by 2 solid tracks by matt green on his own this finish off the 4th release on corrupt redux nicely!

a 4 track sampler taken from the forthcoming west coast excursions vol 5

support from: surgeon, ben sims, luke slater, deetron, len faki, efdemin, technasia, mike dehnert, cio d or, ryan elliot, arne weinberg, vince watson, dan curtin, marcel hesse, franco cangelli, philip sherburne, perc, forward strategy group, matt o brien, the parallel. with a string of eps on prologue, mote evolver and komisch , samulis hypnotic tracks are seducing dance floors and djs alike. >kosmos< is samulis biggest track to date, with blasts of dry ice percussion and thumping, heavy beats underpinning a solemn voice intoning the tracks title. eerie sounds take >kosmos< to the outer limits, but kemppi keeps it rooted on the floor with a resonating bassline. >massa< meanwhile, is a raw warehouse number, its gained bassline and crashing cymbals playing host to an evil acid line that threatens to spiral out of control. peter van hoesen dissects and reconstructs >massa< using an intricate, stop-start arrangement and lithe, stop-start rhythms dipping and building until a heavy kick drops four minutes in. meanwhile >suunta< sees samuli back where he started, a heavy sub-bass and skipping percussion married with eerie vocals and atmospheric sound scapes. from his mind to ours. this is samuli kemppi at his best.

strong 4 track hardcore ep

andras toth was born in bekescsaba hungary in 1985. now a dj, producer, and contemporary piano music composer living in budapest, he releases his debut solo ep, >us<, on alphahouse records.

created by the musical partnership of maurizio vitiello and gianni pellecchia, bauns is the primary vehicle for the duos work. having worked separately for many years, cutting their teeth on the italian techno circuit, the pair came together in 2007 to form the label as a response to the desire to have complete creative control of their work.

played by marco carola, ewan pearson, anja schneider, barem, sis, chloÚ, federico molinari, mendo, matt tolfrey, tim green, milton jackson, madskillz, carlo lio, coyu, mihai popoviciu, boris horel, yakine, varoslav... after the huge success of the >chicago story ep< composed with his partner in crime acumen, timid boy is back again on time has changed (the label he runs with acumen) with >on a cloud with richard ep<. timid boy aka damien almira knows the dancefloor well. he has studied this subject with a meticulous care for almost 10 years. as a dj, he quickly established himself as a great value of the parisian scene starting in 2003 a dj residency at the rex club for the bpitch control parties. as a journalist, he worked for famous magazines such as rock&folk, technikart or trax during several years. and as a dancer: if you just see him moving his body like a freaky chicken on the dancefloor, you will understand

the next generation has arrived... 19 yr old space dimension controller with his take on music history! the best ingredients from big inspirators innocently mixed together with a natural cool that gives him a own unique sound! dr dre s sexy funk combined with deep drexciya and the other peoples place vibes, early uk house and techno melodies from people such as plaid and boards of canada all stisiness. actually its not very fair coming with all these names since here since nobody sounds like sdc and sdc sounds like no one else! and thats what the people at clone like... artists with their own unique finger print. oh and did we already mention the remix of that other young bloke? 18 yr old kyle hall does a hell of a remix job here! two natural talents dropping a release that will be one of 2010 s hottest records for sure. the next generation is taking control!

limited 10 inch vinyl , incl rmxs by modeselektor (bpitch control) and jason forrest...

20 % deal

new hit for australian band, 2009 revelation. after the success obtained with >sweet disposition< (2 in music control chart for 2 weeks), here is a new dancefloor hit, with their music contaminations. elektronic.pop...progressive rock sounds! summer hit!

with 2009s magnificiently deep >cone ep< raudive aka oliver ho became an integral part of the ever brilliant macro family. the man is in there for a reason. now he drops one of macros most dancefloor-centered, yet distinctively future forward outings so far. >paper< - the chord, the bass, the strings! all deepness ingredients are there and it would be just classic if it wasnt raudive in control, whose chord is rather acoustic than synthetic, whose strings are rather xenakis than detroit - and whose bassline is just pumping genius blasting any reference system. but its a double pack of excessive excellence. >brittle< is papers evil sister and a giant step in groove design, throwing the thrills of the unknown right at your dancefloor. its repetitious, maniacal vexation patterns put any record to shame that has ever been called hypnotic. 2010 is right here. the ep is rounded off with the shimmering >sienna< - a no-beat melodic variaton set against the warmth of grainy crackle. one of the most thrilling releases by one of the most thrilling labels

both luke vibert and radioactive man are seminal electronic producers who always deliver with a flourish. they have continued to impress recently with viberts >we hear you< album for planet mu and radioactive mans >growl< album on his own control tower that was also picked up for fabrics in-house label. luke vibert puts a kerrier district spin onto his version of tudor disco, which will move your mind and your feet with its driving acid groove, while radioactive mans luscious remix of urgent takes its influence from carl craigs (69) track desire.

jeff mills concludes the drummer project with this final part 3. saving his most influential for the last, these selected drumming masters range from classic to fusion jazz: art blakey, alphonse mouzon, elvin jones and bill bruford. chosen for their complex rudiments and hand control, the drummer part 3 is the most profound in terms of human ability and control

the dc series continues with cosmin trg, known for his releases on hotflush and tempa a.o. >see other people< is an infectious garage stepper, announcing the future of r&b. big tune! >groove control< continues on a techno tip. it starts off deep and mysterious, evolving in a pulsating, acidic bassline driven killer. we like trg!

kontra-musik continues its 10inch remix series. this turn is for ben klock and oni ayhun to get busy and rework tracks from the jason fines future thought album. ben klock now finalizes (may we call it the kontra-musik berghain sessions after shed and dettmann remixes) with a stomping, chicago-esque modern dancefloor cut. by adding vocals but keeping jasons original chords, there is some serious anthem warning to this one. on flip there is some magic! oni ayhun leaves us with a stunning and experimental tech electro kraut excursion. think yello magic orchestra jamming on beats provided by morris day and the time... wooow what a track!! another great piece in the carefully builded kontra musik catalogue! check

great longplayer from 2004

2004 kms re-release of this 1987 classic, produced by kevin saunderson and mayday aka derrick may.